ere taken to the towns and cities of the Middle East and Europe. Bukhara became the adobe of many popular masters who erected amazing architectural monuments thanks to which Bukhara is right-fully called a museum-town of national architecture.
The creative team-work of professional artists and masters of ambroidery in gold has led to a new decorative trend in Bukhara gold-embroidery as to form and purpose, which is reflected stately-form pieces whith a massive arrangement-unique multimetre thematic and decorative panels. Many of them have become part of the most valuable collections decorative-applied art, and are national property. They adorn the expositions of national museums, and are a success at all exhibitions and reviews of items of this kind. Some of them are in the custody of museums in India, Indonesia, China and Sri Lanka.
In recent years they have created beautiful designs for skull-caps, and embroidered vests, girdles and fancy-bags.
The latest achievements in science and technology have brought new materials to life. All this sets one thinking and creating in a new way.
A difficult but lofty task has been set before the gold-embroiderers of Bukhara today – to retain the rare and precious beauty of their art so that many generations of descendants would be able to revel in the creations of man.
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ᄃ쒄ሂ桤ā怀쒄愂摧øሀЗОЛОТОШВЕЙНОЕ РЕМЕСЛО БУХАРЫ
З. О. Корёгдиев
Аннотация: Это статья о великолепной форме древнего декоративно-прикладного искусства одаренных узбекских золотошвеев.
Ключевые слова: золотая вышивка, мастера, художественные, декоративные ткачество, творческая работа в команде, музеи, художественную ценность.
G. A. Pugachenkova, L. I. Rempel – Outstanding memorial representing arts of Uz
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