o teach him the violin. Four of the boy participated in home concerts, a little later he wrote the first song, "the song of the cock". Father Henri, realizing the insufficiency of his knowledge, began to look for the son of professional teachers. With M. Genena, the boy continued to study with J. L. Lelu-Dejonka, violinist-professional from Verviers. 18 APR 1827 Henry acted in "Great vocal and instrumental concert" in Verviers, followed by a tour of the cities of Belgium and Holland. The young musician drew the attention of the famous violinist Charles Berio, who has made it to the scholarship of the king of the Netherlands, and took first in Brussels and later in Paris. Vietan the first performance took place in Paris in 1829.
In 1833 Vietan starts touring, already in the beginning of the meeting to rave reviews — for example, from Robert Schumann, who wrote: "Speaking of Vietan, you have to wonder about Paganini. From the first to the last note like we are in a vicious circle that has no beginning and no end. " Living for some time in Vienna, he took lessons in music theory from Simon Sechter, and in 1835 returned to Paris, where he perfected as a composer. 17 Feb 1820 Reich gave the young Vietan this description: "G. Henri Vietans son already has an excellent talent as a violinist, gifted with a also the happiest data to compose music and to identify which only need time and the necessary support and that in the future he will honor his country". By this time, the first major Vietans works: Concerto fis-moll, published as No. 2 E-dur, known as the First Concerto and fantasy, in particular Fantasy-Caprice and "memories of Russia". Some works were written in collaboration with cellist Francois Servais, his compatr
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