friendship, but also clearly reflect the difficult social conditions of life, oppression and violence, betrayal and human experiences.
One of the most ancient and firmly entrenched in the people of genres is household folklore. In its focus and goals, it is divided into two parts - seasonal and family and household ritual. In turn, these two trends, depending on the structure and poetic nature, combine a number of genres.
A special role is played by family and household ritual folklore. According to its purpose and content, it is divided into the following types:
a) based on the magic power of words: kinna, storm-storm, auras and charges (curse) gularso (badik), etc. ;
b) associated with the ritual of laying the baby in the cradle (besika of sales) and forty days after childbirth (Chilla of chakiris);
c) reflecting elements of the wedding (EP-EP, Ulan, lapar, Kelin Salom, TUI elkesley, oyna curator of casilari etc. ;
d) funeral and memorial.
Widely known in Uzbek folklore, the name Afrosiab (also called Ali Artush), sung in legends, is found in Turkic sources of the XI century. So, myths about him have survived in the works of Mahmud Kashgari "Devon lugatit Turk" and Yusuf Balasaguni "Kugatgu-Bilik". The above-mentioned works reflect the peculiarities of life and culture of the Uzbek people, its age-old aspirations, universal values, peculiarities of the national psyche, etc. The remarkable heroic epic "Alpamysh" is also a historical source testifying to the courage and talent of the Uzbek people, its character and value orientations.
Extant folk songs, proverbs, anecdotes, fables and satirical lines openly condemn all forms of social injustice and oppression, sharply ridicule ignorance and prejudice
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